"You'd think my own face would know me": Losing Identity in Shirley Jackson's Uncanny Domestic Short Fiction
The narrative of domestic fiction frequently depicts a woman’s search for domestic bliss, as a mother, wife, and homemaker. Shirley Jackson has often contested this narrative by portraying female characters who, through uncanny manifestations of repressed desires and fears, go against these norms. ‘The Deamon Lover’ (1949) and ‘The Tooth’ (1949) present two female protagonists, who are confronted
