Laibach's Politics without a Cause or the Unsublated Contradiction
The article delves deeper into the theoretically perplexing practice of Slovenian music band Laibach, which draws links to Stalinism, fascism, Nazism and totalitarianism in general. The author presents a different reading than the more established Žižekian resolution of the issue via his introduction of the notion of ‘over-identification', meaning the critique of a regime by taking it more serious