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Cuttings of text and image come together to form Sara Leydon’s Baroness de Lancinena (1990) and Alice Kyteler (1990). Each a reference to a woman either identified or accused of practicing witchcraft, these two collages are part of a series first shown in a 1990 solo exhibition titled Conviction at Artspeak. Their history in this city is considerable, living long-term in the collection of Christos
