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The rapid expansion of industrial agriculture in rural Bogotá has led to a reduction in the diversity of plants cultivated by peasant families. This generates transformations in livelihoods and biocultural relations, affecting local environmental knowledge and practices for the use and management of agrobiodiversity. Although several studies have documented the presence of agrobiodiversity niches,
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Abstract in French La démarche herméneutique qui soutient l’analyse effectuée ici des quatre évaluations produites par les experts nordiques combine trois mouvements interprétatifs. Le premier mouvement relève de l’histoire des sciences. Il a pour objectif de cerner la genèse de la discipline phonétique qu’il faut considérer comme un moment clef de l’histoire des sciences du langage en Suède. Le s
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Based on eleven months of engaged ethnographic research with the Platform for People Affected by Mortgages (PAH) in Barcelona and Sabadell, this article proposes that the financialization of housing goes hand in glove with the financialization of life itself, which includes subjectivity and the body. The financialization of life occurs when life is subsumed into the mechanisms of rent extraction t
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The following study investigates the female main character in the novel The Bad Girl (2006), written by the Peruvian author Mario Vargas Llosa. In addition, it examines how she relates to the Marianismo, the Latin-American ideology that proposes that the woman's spiritual and moral capacity is superior to the man's, and favours the woman's sexual passivity and purity. The essay is base
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Abstract in French Le but de l’étude présente est de démontrer que la distinction entre le langage plastique et le langage iconique, introduite par Floch et Groupe µ, reste utile, à condition de la faire subir une série de modifications : d’abord, il ne faut pas parler du langage iconique, mais du langage pictural, parce que l’iconicité peut très se retrouver aussi bien du côté plastique. Ensuite,The task of the present study is to establish the useful of the distinction between plastic language and iconic language, as introduced by Floch and the Groupe µ, with the proviso that it has to be changed in a number of ways. To begin with, we should not talk about iconic language, but rather about a pictorial one, because iconicity is a much broader concept, and just as probably may found on the