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Christian Fuentes

Professor Kontaktinformation E-post: christian [dot] fuentes [at] ses [dot] lu [dot] se Telefon: +46 42 35 66 54Organisation Institutionen för tjänstevetenskap WebbplatsChristian Fuentes profil i Lunds universitets forskningsportalAndra roller Biträdande föreståndare Centrum för handel och logistik (REAL)Research and teaching profileI am a Professor of Marketing and Consumption the Department of S

https://www.ses.lu.se/christian-fuentes - 2026-07-12

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The purpose of this work was to present collective data on firefighter fatalities in Sweden between 1937 and 2016. Data presented is directly related to operations only. Fatalities due to long-term exposure of gases, particles, and physical/psychological stress or similar were not included in the study. Also, accidents involving ambulances as well as fatalities in direct relation to physical trainThe purpose of this work was to present collective data on firefighter fatalities in Sweden between 1937 and 2016. Data presented is directly related to operations only. Fatalities due to long-term exposure of gases, particles, and physical/psychological stress or similar were not included in the study. Also, accidents involving ambulances as well as fatalities in direct relation to physical train

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Viking Age silver is a useful tool for tracing various aspects of the society. Contact networks, trade organization, society structure, economic variation etc. This paper concentrates on the so-called Permian rings, which appear in Scandinavian silver hoards from Early Viking Age. Their main concentration is, however, in the regions west of the Ural Mountains in Russia. As the rings found in Russi

Trade-offs and synergies between biodiversity conservation and ecosystem services

How can increased demands for food and fibre be combined with conservation of biodiversity which often is threatened by agricultural intensification and expansion? This project focus on the relative benefits of segregating or integrating conservation and agricutlural production (land sparing versus land sharing). On one hand it has been suggested that agriculture should be intensive on existing ar

https://www.becc.lu.se/trade-offs-and-synergies-between-biodiversity-conservation-and-ecosystem-services - 2026-07-11

Qmod 2011 final program 2011 08 25

QMOD 2004 Final Program 14th QMOD Conference 29st – 31st August, 2011 San Sebastian, Spain From LearnAbility & InnovAbility to SustainAbility Program Jointly organized by: Lund University, Linköping University & Tecnun, University of Navarra Page 2 Welcome Address from the Chairmen It is our great pleasure to welcome you to the 14th QMOD conference. During the last 14 years the QMOD conferences ha

https://www.ses.lu.se/en/sites/ses.lu.se.en/files/qmod_2011_final_program_2011_08_25.pdf - 2026-07-13

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During this master thesis work that was conducted as a case study together with SWEP International, we have investigated marking standards and marking technologies that support handling of varying customer demands and increased information density. We also studied SWEP’s internal information handling and traceability. We were asked to specifically look at the usefulness of RFID for SWEP, and came

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Trade and World Power: A Time-Space Appropriation Assessment of an 18th Century Swedish-Chinese-Spanish(-American) Trade Exchange Was China rather than Europe the center of the early modern world system, as claimed by so-called new world historians such as Kenneth Pomeranz and Andre Gunder Frank? Can structural position within the hierarchy of the world system be revealed through assessment of ec

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What is the function of Islamic signage in the visual transformation of commercial practices in multicultural neighborhoods? And how are such processes simultaneously forwarding integration processes and challenging visual hegemonies and local-historical narratives?In the wake of the Middle Eastern migration processes, the profile of European public space is rapidly diversifying. The transforming What is the function of Islamic signage in the visual transformation of commercial practices in multicultural neighborhoods? And how are such processes simultaneously forwarding integration processes and challenging visual hegemonies and local-historical narratives?In the wake of the Middle Eastern migration processes, the profile of European public space is rapidly diversifying. The transforming

Johan Anselmsson

Affiliated Researcher Contact details Email: johan [dot] anselmsson [at] fek [dot] lu [dot] se Phone: +46 46 222 78 13Organisation Marketing Room number: Alfa1:3075 Service point: 10 WebpageJohan Anselmssons profile in Lund University research portalOther affiliations Affiliated professor Centre for Retail and Logistics (REAL) Assistant head of department Marketing Assistant head of department Ent

https://www.real.lu.se/en/johan-anselmsson - 2026-07-12

Johan Anselmsson

Professor, Assistant head Entrepreneurship & Marketing, Department of Business Administration Contact details Email: johan [dot] anselmsson [at] fek [dot] lu [dot] se Phone: +46 46 222 78 13Organisation Marketing Room number: Alfa1:3075 Service point: 10 WebpageJohan Anselmssons profile in Lund University research portalOther affiliations Affiliated professor Centre for Retail and Logistics (REAL)

https://www.lusem.lu.se/johan-anselmsson - 2026-07-12

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På gående fot färdas man hastigt mellan kontinenterna. Venedigbiennalen är en plats där länder kan se världen och samtidigt synas för världen. Sedan 1895 har Biennalen samlat världens främsta konstnärer och arkitekter. Sverige delar en paviljong med Norge och Finland, vilket innebär konstnärliga kompromisser och att Sveriges enbart deltar var tredje biennal. Examensarbetet föreslår en svensk natiTraveling by foot, one swiftly moves between continents. The Venice Biennale is a place where countries can see the world and, at the same time, be seen by the world. Since 1895, the Biennale has brought together the world’s leading artists and architects. Sweden shares a pavilion with Norway and Finland, which means artistic compromises and Sweden’s participation only every third Biennale. The t