'...and just set that body on fire!'. Posthuman perspectives on the body, becomings, and sticky encounters in vogue femme.
This thesis explores aspects of vogue femme as a highly aestheticised, performative, and radically subversive visual phenomenon. The focus lies on the posthuman characteristics of this dance and the possibilities it opens up for becoming-other. Vogue femme first appeared as a competition category at balls during the 1990s. It consists of five elements (hands performance, duckwalk, catwalk, spins a